Substance 98/99 l Theatricality

Substance
A Review of Theory and Literary Criticism
No 98/99 2002
ISSN 0049-2426

Theatricality

Guest Editor
Josette Féral

Introduction
Josette Féral

I. Toward a Definition of Theatricality

Theatricality: From Oral Traditions to Televised "Realities"
Joachim Fiebach

Theatricality as Estrangement of Art and Life in the Russian Avant-garde
Silvija Jestrovic

The Invention of Theatricality: Rereading Dort and Barthes
Jean-Pierre Sarrazac

The Structure of Theater: A Japanese View of Theatricality
Mitsuya Mori

Theatricality: The Specificity of Theatrical Language
Josette Féral

II. Theatricality and the Body

Acting: The Quintessence of Theatricality
Eli Rozik

Walking and Other Choreographic Tactics: Danced Inventions of Theatricality
Susan Leigh Foster

Theatricality from the Performative Perspective
Virginie Magnat

Witnessing Woyzeck: Theatricality and the Empowerment of the Spectator
Freddie Rokem

III. Theatricality and Performativity

The Emperor’s New Clothes: The Naked Body and Theories of Performance
Sue-Ellen Case

The Politics of Discourse: Performativity meets Theatricality
Janelle Reinelt

Could the World become a Stage? Theatricality and Metaphorical Structures
Ragnhild Tronstadt

Theatricality and Cognitive Science: The Audience’s Perception and Reception
Malgorzata Sugiera

IV. The [Ir]resistible Fall of Theatricality

The Resistance to Theatricality
Marvin Carlson

The Fall of Theatricality in the Age of Modernity
Anne-Britt Gran

Digital Baroque: Via Viola or the Passage of Theatricality
Timothy Murray

Bibliography: Theatricality and Performativity

Book Reviews

Contributors

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Décembre 2007